Category: From the Archives
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Threepio has certainly taken Daniels to some enviable places. How many actors can say that they have dined with the king and queen of Jordan, conducted the London Symphony Orchestra, been a presenter at the Oscars, and appeared on Sesame Street four times?
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By coincidence (or maybe not), the harder Sigur Rós played, the harder the rain fell.
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Chester Brown must have known what he was getting himself into. In creating Paying for It, the Toronto-based cartoonist was setting himself up for criticism, not just of his work but of himself and his chosen lifestyle.
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Spiegelman notes that the barrier between “high art” and “lowbrow” has eroded significantly over the past 20-odd years. More and more, work like his is being taken seriously, for better or worse.
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No one has ever accused Jason Pierce of taking shortcuts. The Spiritualized mastermind has been known to take as long as a year to mix an album, even though he admits he doesn’t especially enjoy the painstaking process.
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Few scores have become truly iconic as quickly as the ones Canadian composer Howard Shore created for director Peter Jackson’s Lord of the Rings trilogy.
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I Love You, Honeybear is romantic, sure, but it’s about lovers in a dangerous time, finding solace in each other despite living in a world that is truly, deeply fucked.
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Josh Tillman is probably already weary of talking about it, but when you pack up your drum kit and quit a band as successful as Fleet Foxes, people are going to ask questions.
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Martin Amis has never been just one sort of writer. He’s arguably most recognized as the masterful novelist behind Money and London Fields, but he’s adept at nonfiction as well.
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He gave his latest novel, Lionel Asbo, the subtitle State of England, but Martin Amis has been doing a lot of thinking about the state of America.
John Lucas 