Category: music reviews

  • From the Archives: The Jesus and Mary Chain (concert review, 2015)

    On May 13, 2015, the Jesus and Mary Chain brought the Psychocandy 30th anniversary tour to Vancouver. The Georgia Straight sent lucky ol’ me to review it. In retrospect, I had a lot of nerve calling William Reid “doughy and bespectacled”, given that this is now a very accurate description of myself. I would put…

  • From the Archives: Jehnny Beth of Savages (2013)

    The impending release of Jehnny Beth’s latest solo album, You Heartbreaker, You, reminded me that I once interviewed her for the Georgia Straight ahead of a Vancouver performance by her band Savages. Savages bemused by Mercury nod (This article originally appeared in The Georgia Straight.) It’s arguably the most prestigious honour in British music, so…

  • From the Archives: Mother Mother, Part Two (2014, 2017 & 2021)

    Digging through the archives, I discovered that I have actually written about Mother Mother quite a lot over the years, so I have decided to split this blog post into two installments. This is the second.

  • From the Archives: Joe Keithley and D.O.A.

    Inspired by the recent release of Something Better Change, Scott Crawford’s documentary about D.O.A.’s Joe Keithley and his evolution form punk rocker to politician, I dug through the Georgia Straight archives and unearthed all the times I have interviewed Keithley over the years.

  • From the Archives: Interpol

    If you were lucky enough to have been among the select few curious indie-rock fans at the Royal when Interpol made its Vancouver debut at that long-defunct Granville Street venue in 2002, you might very well have been instantly turned into a fan for life. That’s the effect it had on me, at any rate,…

  • From the Archives: The Killers (2012 & 2018)

    Revisiting the two opportunities I have had (to date) to interview Killers frontman and all-around nice guy Brandon Flowers.

  • From the Archives: Sigur Rós at Deer Lake Park (2013)

    By coincidence (or maybe not), the harder Sigur Rós played, the harder the rain fell.

  • I recently reviewed Vancouver music-scene mainstay Phil Western’s latest release, Longform, for the Straight. In the review, which you can read here, I described the double LP as “an exercise in what he is arguably best at: namely, hypnotic electro built from lush layers of synthesizer tones over a variety of creatively deployed but generally…